Bijapur’s Syncretic Micro-architecture & The Chamber Of Whispers

gol_gumbaz_madras_courier
Photographer; Hinton, Henry Medium; Photographic print Year: 1860 Photographer's Caption: "........built on a terrace 200 yards square. Height of tomb externally 198 ft, internally 175. Diameter of dome 124 feet, 4 minarets of 8 storeys, 12 ft broad entered by winding staircases terminating in cupolas'. Print 1 of Henry Hinton's The Ruins of Beejapoor, in a series of nineteen views from collodion negatives (Bombay, 1860). The Gol Gumbaz, a grand mausoleum of Muhammad Adil Shah, though a structural triumph of Deccan architecture, is impressively simple in design, with a hemispherical dome, nearly 44 mts in external diameter, resting on a cubical volume measuring 47.5 mts on each side. The dome is supported internally by eight intersecting arches created by two rotated squares that create interlocking pendentives. A centotaph slab in the floor marks the true grave in the basement, the only instance of this practice in Adil Shahi architecture." Image: Public doman.
The art & architecture of Bijapur, a sleepy town in North Karnataka, tell the tale of India's syncretic traditions.

Bijapur is often called the Agra of South India, and the Gol Gumbaz, the Taj Mahal of the South. The latter is an ironic comparison, as it’s said that the Taj was inspired by none other than the Ibrahim Rauza mausoleum just outside Bijapur Fort.

The similarities are striking – and not just visually. The story goes that Ibrahim Adil-Shah II commissioned the tomb for his wife, Taj Sultana, while she was still alive. He ended up passing away before her and was interred in the mausoleum in 1627 A.D. Quite the opposite of the story behind the Taj Mahal. But this story turned out to be a case of misreading the inscription on the tomb – Sultan was the one who commissioned it for her husband.

It was only completed when she died in 1633, likely on her orders. Curiously, Shahjahan first commissioned the Taj Mahal a year earlier, in 1632.

Ibrahim Rauza is different from the Taj, altogether. For one, it’s not a singular monument like the Taj – it’s two; one mausoleum and one mosque. Bijapur’s architecture is a combination of three distinct styles of Islamic design in India; that of the Delhi Sultanate who built the Qutb Minar, that of the Mughals who built the Taj Mahal, and perhaps most significantly, that of the Adil Shahi dynasty.



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