Prada’s Theft Of India’s Cultural Heritage

Prada-Kolhapuri-Chappal-Madras-Courier
Representational image: Public domain.
What appeared on Prada’s runway was a reminder that in the global marketplace, the further a design travels from its origin, the more likely its story is to disappear.

A few weeks ago, at Milan Fashion Week, Prada unveiled its latest sandal collection. Among its offerings was a leather slipper bearing an uncanny resemblance to the Kolhapuri chappal—an iconic Indian craft rooted in centuries of artisanal practice. Sold in India for around ₹1,000, the traditional Kolhapuri was reincarnated on the runway with a price tag exceeding ₹85,000, stripped of provenance, credit, or context.

The backlash was swift. Prada’s silent repurposing of the Kolhapuri chappal did not appear as homage but as appropriation. It reignited an enduring question: why do global brands, with all their resources, repeatedly draw from traditional cultures without acknowledgement or accountability? At the heart of the matter lies not just fashion, but a more insidious economy—one that mines heritage, monetises memory, and recasts history as aesthetic, all while sidelining those who shaped it.



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